This Drifting Excrement Was Far Too Meaningful! These Are the TV Letdowns of the Year.

As we reflect on the TV landscape of the past year, a selection of series stand out not for their excellence, but for their notable failures. Ranging from cringe-inducing spin-offs to confusingly bad documentaries, here are the programmes that left us scratching our heads or just reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Plagued with dreadful writing, painful character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show struggled to justify its existence. For a moment, as the third season started, it seemed as if it had finally found its groove. Then arrived an installment all about Seema’s natural deodorant. Little surprise the showrunner announced this would be the last season. It ended on a low point; the lingering shot of Miranda’s toilet full of poo was just way too on-the-nose. Still, fans certainly found joy picking apart every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t let out a little sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the least of this show's problems. The recipient of a very rare no-star review, it was hard to know where to start enumerating the problems. The laughably wooden dialogue? The tedious glorification of affluence and consumption? The almost deliberate parade of tropes? Performances so bad they felt borderline spiteful? Let’s just say “all of the above” and never speak of this series again. Except, a second season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, domestic violence claims and fatherly failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various bouts of self-destructive excess while failing to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any sympathy this series might evoke should be saved for the people who have had to suffer proximity with this charismatic but dismissive narcissist.

The Iris Affair

Naturally we knew it was ridiculous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of pure admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ultimately slicing Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

MobLand

Shady figures convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

In truth, that is unfair on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the embarrassment of having to indulge baffling accents. But there were plenty of other issues. Mainly that it was just profoundly boring; a dispute over drug-selling territory between various London rogues which felt rather simplistic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of certain performatively angry commentators, it’s almost tempting to admire the Duchess of Sussex’s televised ventures into twee homemaking as intentional statements. But then you view them and are forced to concede that in this case, they might have a point. It’s like watching a lifestyle magazine animated; a poster for evening drinks with ideas of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental sayings and pointless crafting “hacks” you’ll not remember instantly. All underpinned by vast, largely unearned wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be discussed about both Victoria Beckham and her struggles with career, identity, self-worth. But for some reason, this documentary series opted not to say them. Instead, the viewing was like consuming a marketing brochure. She clearly has every right to bridle at what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any helps with this guarded letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a well-known personality overseeing her estate. What more could you ask for? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to detail what exactly was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The series ended up smelling of a programme that was trying way too hard to emulate something way beyond it.

The Lena Dunham Romcom

How do you follow a show that defined a generation? The expectation was enormous for this starry romantic comedy about Jessica, a hopeful New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, embodying Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the abundance of famous cameos involved felt icky.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the smart recruitment of gifted younger comics, expectations were high. But sadly, most of it fell flat. A particular sketch was a one-note joke milked to a dry pulp but recurring in every episode. One star seemed too ready to slip into a familiar irate mode. The writing room sketches, in contrast, simply inspired the idea that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be handled with care. Instead, the series laboured awkwardly to find the right tone, lumbering from oddly jaunty, slightly mannered farce to ultimately, real-life horror. Twisted? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We love the star … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the brink of a breakthrough that could ruin society? Nope! This international thriller about secret services spying on – and eliminating – academics frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality renowned for sexual exploits as she prepared for her most extreme challenge yet. What on earth would motivate her? What we wanted was way more examination of her true psyche, plus those of the men in the line. They could at least have spoken to the legendary mum who showed up to haul her son away from the queue. What we got was horrific shots and zero critical analysis of her infamy whatsoever. And to think, the documentary-maker has a teenage daughter too.

Emily Washington
Emily Washington

Elara Vance is a sports journalist and event coordinator with over a decade of experience covering UK arenas and entertainment venues.